116 Lost: "Outlaws" Review

Sawyer: "Oh, that hog is going to suffer. I swear to God."

As we begin with our now familiar eye opening, we pull back to reveal something different. This eye belongs to a young boy, roused from a peaceful sleep by a violent pounding on the front door. His mother bursts into his room and tells him that everything is going to be okay, but we can see from her face that she doesn't believe it. She hides him under his bed and makes him promise that he won't come out no matter what he hears. She makes his bed to make it look as if he was never there and goes downstairs. We stay with the boy and hear a violent argument that ends with a GUNSHOT. From the boy's POV we see a pair of cowboy boots enter his room. The boy does his best not to cry and the man in the boots comes over and sits on his bed. As we share in his terror, wondering if he is going to be next, we hear another gunshot and the man collapses, dead on the bed above him.

Back on the island, Sawyer wakes from his nightmare, covered in sweat. He reaches over for a sip of water, relieved that it is all over, but we hear a rustling in the darkness. Sawyer slowly reaches for the flashlight and when he turns it on we see an enormous boar demolishing his things. Sawyer grabs a bat and lashes out, but the boar easily escapes, destroying the relative calm of his makeshift tent. As Sawyer angrily gives chase, the boar disappears into the jungle with the tarp that was his roof. When he gives chase, we hear those same spooky whispers in the wind. Did they actually say something, this time?

Later that morning, Sawyer is cleaning up his things. Sayid comes by and is clearly enjoying Sawyer's plight. Sawyer asks Sayid about the voices he thought he heard in the jungle when he escaped from Rousseau, but Sayid writes it off as stress-related delusions.

We FLASHBACK to a hotel room. And for a second we think we must be watching a rerun because here comes Sawyer again, tangled in a kiss with another attractive woman. But just as it starts to get interesting, the two of them are interrupted by a voice from the dark. A man Sawyer knows as "Hibbs" wants to talk and it doesn't take long for us to realize that Sawyer ain't too glad to see him. As Sawyer chokes him, reminding him that he screwed him out of his share of a con they ran years ago, Hibbs tells Sawyer that he has come to make it right. Hibbs hands him an envelope and we expect it to be full of money, but what it actually holds is far more valuable?The whereabouts of the man who killed Sawyer's parents. The real "Sawyer" -- the man he has been chasing his whole life. He runs a shrimp truck?in Sydney.

Back on the island, Jack and Kate return the guns from the Ethan mission to the Halliburton case. All but one, that is? Sawyer has refused to turn his in. Kate offers to get it back for Jack telling him that she "can speak his language." You don't have to look very hard at Jack's face to see how he feels about that?

Back at the caves, Charlie is building something from bits of wreckage. Claire comes over to him, but we can see from his persona that this isn't the Charlie we all know and love. Something is?off. When Claire asks him if he wants to go on a walk, Charlie says that he has something to do and just walks away.

In the jungle, Sawyer comes upon his tarp -- the boar must have dropped it there when it ran away the night before. He grabs it and starts to make his way back to camp, but he hears something -- the whispers blowing in the wind! But Sawyer has more pressing troubles to deal with because it looks like the boar wasn't quite ready to give that tarp back. It comes crashing out of the brush and straight at Sawyer. He runs as fast has he can, but he's got no chance and the boar easily catches him and knocks him off his feet and right into a big puddle of mud before disappearing back into the jungle. Sawyer was just the victim of a boar "drive-by"! Kate catches up with Sawyer as he is packing up for a hunt. She thinks he is being absurd and tells him to tell Locke to go and kill it, but Sawyer explains that it's too late for that -- it's personal now.

And speaking of personal, we FLASHBACK to Sawyer making his way along the waterfront of a city that could only be Sydney, Australia. He ducks into a seedy boathouse where a man sells him a gun. But before the man hands it over he lets Sawyer know that there are no refunds, so before he buys the gun Sawyer better be sure he has what it takes to use it.

Back at the beach, Hurley and Charlie bury Ethan (So that's what Charlie was making, a shovel!) and even though this is one of the creepiest things they've ever done, Hurley can see that something is wrong with Charlie. When he asks him if he is okay, Charlie doesn't answer. After they finish, Hurley finds Sayid and asks him if he ever dealt with Post Traumatic Stress Disorder while in the army. When Sayid asks him why he wants to know, Hurley tells him about Charlie.

Meanwhile, out in the jungle, Sawyer is having absolutely no luck trying to track his boar. Kate arrives and offers to track for him?on one condition: Anytime she wants something from his stash, she gets it -- no questions asked. And though it clearly kills Sawyer to do it, he has a score to settle with that boar, so he agrees.

We catch up with them later that night around a campfire. Sawyer brought along several of the mini bottles of booze from the airplane and he and Kate decide to play a little game called "I never" where we learn an awful lot about the both of them: Kate has never been to Disneyland; Sawyer has never been in love; and BOTH of them have killed a man.

FLASHBACK to the same bedroom we saw at the top of the show. The same kid cowers under the same bed. Only this time, when the door opens, we don't see a pair of cowboy boots come in, but a pair of hooves -- hooves that look suspiciously like they belong to a boar!

Sawyer wakes up to see Kate kneeling over him. The good news -- it was just a dream. The bad news -- the boar attacked them again while they slept. Wait. Actually, the boar attacked Sawyer when they slept. While his stuff is destroyed, Kate's is untouched. But before Sawyer can fly completely off the handle he hears a rustle in the bushes behind him. This time he's ready and he draws his gun, but it's not the boar - - it's Locke who explains that he's been out looking for wreckage to salvage. He sits down and joins them for coffee. After Kate tells him that Sawyer thinks this boar has something personal against him, Locke tells them a story about his sister, Victoria who died when she was little. Their mother swore that she came back as a golden retriever. Maybe the boar is the spirit of someone who Sawyer pissed off back in the real world.

And as we wonder who that could be, we FLASHBACK to Sawyer sitting in a car staring at a shrimp truck in the distance. He checks to make sure the gun in his jacket is loaded and makes his way over to the guy running the truck. He's seems nice enough and even offers Sawyer a fellow American discount -- 50 percent off! As he goes to the stove to cook Sawyer's lunch we see the gun shaking in Sawyer's hand. Can he do it? When the shrimp guy turns back around to deliver his lunch we get our answer?Sawyer is gone.

We don't have to wonder where he went because we see him knocking back shots in a dive bar. When the bartender asks if he's had enough, Sawyer tells him to keep them coming. From down the bar we hear another American congratulating him on his decision -- "These bastards think Americans can't hold their liquor." But wait?there is something familiar about that voice. When Sawyer buys a round for him, he slides on down the bar to join him and?Oh?My?God?it's Christian Shepard, Jack's dad! And what he has to say just about knocks us off our feet. He doesn't hate Jack for what he did; he loves him for it. And get this -- he's proud of him! So here they are, just two guys trying to drink away the pain and find a little peace in their lives. But that's not likely and they both know it. Besides, Christian Shepard has a theory: Some people are just meant to suffer -- and he should know, he's a chief of surgery. "That's why the Red Sox will never win the series, Christian says." When Sawyer asks him why he doesn't call his son and tell him these things, Christian gives a more honest answer than we've ever heard from him: "Because I am weak." And when he asks if the "business" Sawyer is in town for is going to bring him peace, Sawyer tells him it will. "Then what are you doing here?"

Good question. We're back at the shrimp truck, later that night. And as the rain slashes down outside Sawyer clocks his target: "Sawyer." The real one -- the man he has been chasing his whole life. When he goes to dump his trash in the dumpster next to the truck, Sawyer checks the gun once more and gets out of the car.

Back on the island, Charlie is husking coconuts. Sayid approaches and asks him how he is doing, but Charlie is on to him. Charlie tells Sayid he is NOT sorry for shooting Ethan. Ethan tried to kill him and he kidnapped Claire. He deserved to die?and Charlie would do it again. Sayid tells him a story that makes it clear to Charlie that the feelings he is having are totally normal. Before he leaves, he tells Charlie something else that seems to hit home: "You are not alone, Charlie. Don't pretend to be."

In the jungle, Sawyer and Kate are on the trail. Kate spots a wallow the boars have been using and they know they are close. When Sawyer captures a baby boar and uses it for bait, Kate demands that he set it free before he hurts it. Sawyer refuses, but Kate knocks him down and the baby boar goes free. Kate is disgusted and tells Sawyer to find his own way back.

FLASHBACK to the shrimp truck. Sawyer is now very close behind his prey. And as he raises the gun he calls out the name that has been haunting him for so long?"Sawyer!" The man turns around and Sawyer shoots him in the chest. Finally, Sawyer has got his man?or has he? Rasping for breath, the man tells Sawyer that he would have paid his debt and that Hibbs didn't need to do this to him. What? What did he just say? Oh no. Oh, God, no! Hibbs set Sawyer up from the beginning. This wasn't the man who killed his parents and ruined his life and never was. He was just someone who owed Hibbs. As Sawyer deals with the horrific realization of what he has done, the man says one more thing before he dies. "It will come back around."

Back on the island, Sawyer is wandering around hopelessly lost. He spins around looking for something, anything he recognizes and calls out for Kate. When he turns all the way around, he sees that he is face to face with the boar. His boar. Kate enters and looks on from beyond Sawyer's field of vision as Sawyer pulls his gun and raises it to the boar. The boar doesn't budge. In fact, he appears to be looking Sawyer right in the eyes. We hold this for a long time until, finally, Sawyer lowers the gun and the boar walks away. Noticing Kate now, Sawyer tries to play it off -- "It's just a boar." But we all know better by now.

Back at the beach, Jin and Sun mend a fishing net. Michael continues his work on the raft while Vincent plays with Walt. Claire sits by herself looking at the ocean. Charlie arrives looking like a changed man and the two of them take that walk that Claire proposed earlier.

Jack is in the woods, breaking wood for the fire. Sawyer arrives and after some vintage, Sawyer juvenile banter, he hands over the last gun to Jack. In response to his sarcasm, Jack says something that makes our hearts stop: "That's why the Red Sox will never win the series." Sawyer asks him to repeat that last bit and Jack tells him that it's something his father used to say to explain why he didn't have to apologize for all the lousy things he did to people -- he preferred to put the blame on fate. When Sawyer asks if Jack's dad was a doctor, too, Jack tells him he was and then asks a question of his own. Jack: "Why do you want to know about my dad?"

And we hold our breath because we realize the power of what Sawyer knows. The impact of hearing from someone who spoke to him just before he died that Jack's father didn't blame Jack for his downfall. That he believed in him. That he was proud of him. That his father loved him. It's what Jack has wanted to hear his whole life and will now never have the chance to. Oh, GOD would it help?

But that just wouldn't be Sawyer. Sawyer: "No reason."

115 Lost: "Homecoming" Review

Claire: "Why would you keep me in the dark, Charlie? I'm already in the dark."

Charlie's eye opens as he is roused from sleep by the sounds of people springing into action around him. He wipes the sleep from his eyes and gets to his feet, but before he can ask what all the commotion is about, we get the answer. Through the brush comes Locke?and he's holding Claire in his arms! Charlie can't believe it and he fights through the crowd of castaways to be by her side. Jack has her now and he is gently trying to get her to regain consciousness. Charlie asks the question we all want answered: Is she alive? And for just a second, we're afraid the answer is "no," but then Claire wakes up and starts to scream. Jack calms her down, tells her it will be all right. She's safe now -- back where she belongs. Claire's response is enough to knock us off our feet? "Who are you?" Later, Charlie finds Claire alone and confused and tries to connect with her by telling her that Ethan kidnapped him as well and nearly killed him. Claire asks who Ethan is and Charlie tells her all she needs to know. "He's a bad guy." We FLASHBACK to Charlie in the pub with his "mate," Tommy. These are strange days for Charlie - - DRIVESHAFT has broken up, but he is having an awfully hard time letting go. Still, he can get by just fine?as long as he can stay stoned. But Charlie is just about broke now and that's where Tommy comes in. He has a plan: Charlie uses whatever celebrity he has left to charm his way into the life (and home) of Lucy, a frumpy, but very rich girl that Tommy has handpicked for just this purpose. If Charlie had a conscience, he sniffed it up his nose a long time ago. He finishes his pint and goes in for the kill. Back on the island, Charlie hooks up with Jin for the walk back from the caves to the beach - - "safety in numbers, right?" Wrong. Jin is knocked out by a flying rock and before Charlie can figure out what is happening, he is face to face with Ethan. Charlie tries to attack him, but Ethan easily pins Charlie against a tree and delivers his demand: Bring Claire to this spot before sundown?or Ethan will kill one of them every day until he does. Jack, Locke, Sayid and Charlie discuss what to do. What if Ethan is still out there? What if he tries something like this again? Charlie and Jack want to organize a hunting party to try and capture him, but Sayid and Locke disagree in favor of building up the camp's defenses. Reluctantly, Jack and Charlie go along with the plan. Meanwhile, Claire asks Charlie why everyone is acting so nervous, especially around her. Charlie can't bring himself to tell her about Ethan and lies, saying everything is okay. We FLASHBACK to Charlie once more as Lucy shows him around her very posh home. They enjoy an easy banter and, as Lucy goes for tea, Charlie cases the joint. Lots to steal here?this will do just fine. When Lucy invites Charlie to dinner with her father later that week he is only too happy to accept. Back on the island, Kate goes to see Jack. She heard about what happened with Ethan and wants to use the guns from the Marshal's case for protection, but Jack won't have it. Putting guns in untrained hands is more dangerous than helpful. Instead, they've decided to rig an alarm system that Locke has invented out of empty cans and homemade tripwires. They post sentries with spears around the perimeter of the camp. They will stay on guard all night and sleep in shifts. Charlie tells Jack that he is afraid for Claire. He wants to move her to a new location, one that is more secure. When Jack tells him to try and relax, Charlie confesses that he blames himself for allowing Claire to be taken - - he should have fought harder for her. Jack puts a hand on his shoulder and promises that nothing will happen to her again. FLASHBACK to Charlie seated at a posh dining table. Charlie, Lucy and her father enjoy their meal. When Lucy's father talks about how he was in a band that failed and Lucy beams at him from across the table, something unexpected starts to happen - - Charlie is actually bonding with this man. And damned if he isn't growing genuinely fond of Lucy as well. Later, Charlie is back at the pub with Tommy. He tells Tommy that he doesn't want to go through with the theft and that he has decided to try and go straight -- He even accepted a job selling copy machines for Lucy's father. But Tommy won't have it; Charlie has been running up quite a tab partying on Tommy's smack and if he wants the party to continue he needs to swipe something he can sell for cash?NOW! And if Charlie doesn't like the idea now, let's see how he feels after Tommy cuts off his drug supple for a few days. Back on the island that night, Boone is on sentry detail. As the torches burn on the perimeter, and the waves gently crash against the shore, he struggles to keep his eyes open -- listening for the sound of the tripwire and the cans. Maybe he can rest his eyes for one brief second? Surely he's got that long to?BANG! Boone opens his eyes, its morning! Oh no, how long was he asleep? He goes off, spear at the ready to investigate, but the only intruder he finds is Vincent, the dog. But just as he is letting himself off the hook we hear a SCREAM from down by the water. Oh my God?one of the castaways is dead. And whatever killed him, it wasn't an accident.

As the castaways bury one of their own, Claire again starts to feel people looking at her. Some look with pity, but some look with (is that contempt?) something else. Finally she can't take it anymore and asks Shannon why she is staring at her. Shannon is shocked? "You mean nobody has told you?"

Claire confronts Charlie, furious that he lied to her when she asked him what was going on earlier. Charlie says that he just wanted to take care of her, but she isn't interested.

FLASHBACK to Charlie adjusting the tie on the brand new suit that Lucy has bought him for his first day of work tomorrow. He is coming down off a very long bender and doesn't look so good, but when Lucy asks him about it he blames it on "nerves." When she is out of the room, Charlie swipes a jeweled cigarette case and places it in his pocket.

Jack and Locke discuss their options. They can't keep waiting around for Ethan to kill them one by one, but he has the advantage of the terrain. Jack says he has something that will help even the odds and gives Locke one of the 9mm guns from the case. They enlist Sawyer and Sayid as well and even Kate gets in on the team when they realize they have another gun (the one from the Marshal's holster). Charlie is desperate to go with them, but he simply isn't qualified. He leaves feeling frustrated and useless.

We FLASHBACK once more to Charlie in the middle of his sales call. It is a disaster and poor Charlie ends up throwing up all over the boardroom.

Back on the island, Claire has decided that she isn't going to let anyone else die for her and she agrees to act as bait in order to try and capture Ethan. Jack, Kate, Sayid, Locke and Sawyer lie in wait until Ethan makes his move and then Jack POUNCES on Ethan, losing his gun in the tussle. They go back and forth in a vicious fight and Jack shows a side of himself we haven't yet seen. He beats Ethan into submission and the others arrive with their guns to ensure he doesn't get away. Now, it's time to get some answers, but Ethan is shot several times from off screen. We reveal Charlie who followed the team out on their "hunt" and picked up Jack's gun when he lost it in the fight. As Ethan dies all hopes of an interrogation are lost.

Back at camp Jack asks Charlie why he did it. Charlie tells us that he wasn't going to let that animal get near Claire ever again. And there's one more thing -- "He deserved it."

We FLASHBACK to see Charlie pounding on a door. When it finally opens, Lucy gives Charlie exactly what he deserves -- her contempt. All she wants to know is, if all Charlie wanted was to rob her, why did he take the job? Charlie tells her he wanted to show her that he could be respectable?that he could take care of her. What she says in return has obviously stayed with Charlie a long, long time: "You'll never take care of anyone."

Back at camp, the castaways are returning to their version of calm. The only person who feels more alone than Charlie is Claire, and when she tells Charlie that she remembers peanut butter, it's enough to sustain him for another day at least. As he allows the first smile in a long time to cross his face, he takes the first step toward rebuilding their friendship. "It was imaginary peanut butter, actually."

114 Lost: "Special" Special

Locke: "As long as we're here, I think Walt should be allowed to realize his potential."

Michael scans the jungle, looking for Walt. He runs into Hurley and Jack, who haven't seen him. Michael sighs, frustrated, but continues on. Hurley says that Michael seems to hate being a father. But in the FLASHBACK, Michael is clearly thrilled about becoming a father and wants the best for his soon to be born son. As he and his girlfriend Susan shop for cribs, Michael tells Susan that he plans on doing some construction for extra money while she finishes law school. Susan is concerned about Michael giving up his art, but Michael insists that he can go back to that later. Right now, they have to prepare for baby "Walt" - named for Michael's father. Susan agrees, but wants to give Walt her last name - they aren't married yet, after all. And off their playful banter we ...

...return to the jungle, where Locke teaches Walt how to throw a knife as Boone looks on. Walt misses the tree several times, but Locke encourages him and tells him to picture success in his minds eye. Walt throws the knife a final time and hits his mark, amazing Boone and impressing Locke. Michael comes upon this scene and sends Walt back to camp, furious with Locke about letting his boy play with knives. The discussion gets heated when Boone suddenly lunges at Michael to protect Locke. They wrestle on the ground until Locke breaks them up. Locke explains that Walt is a special child who should be treated like an adult and allowed to realize his full potential. Michael orders Locke to stay away from his son.

We FLASHBACK to baby Walt, as Michael and Susan argue over him. Susan tells Michael about a huge job opportunity in Amsterdam and that she plans on taking Walt with her - she and Michael need some time apart. When Michael refuses to let Walt go with her, Susan calls his bluff - she can provide better for Walt and a court would certainly side with the child's mother. Michael looks down at his son, heartbroken.

On the island, Sun approaches Michael as he sits by a camp fire, watching Walt sleep. Michael admits that while he doesn't really know how to be a father, he knows it wouldn't be a good thing for his son to grow up on the island. Determined, he heads out to talk to Jack and Sayid about building a raft. When Jack and Sayid scoff at the idea, Michael takes the project as his own. He finds Walt reading through a familiar comic book - the one with the polar bear from the first episode - and enlists his help.

We FLASHBACK to Michael, at a pay-phone, begging to speak with Walt. He can hear a man's voice in the background and learns that Susan has been seeing her boss, Brian. Michael threatens to come to Amsterdam to get his son. He slams down the phone down and charges across the street when he's suddenly mowed down by a passing car.

Back on the island, Charlie searches through Claire's things, looking for clues and some sort of comfort and finds that her diary is missing. Kate leads Charlie to Sawyer, sure that's where they'll find it. But Sawyer doesn't give anything up without a fight and teases Charlie about the diary, knowing he's curious as to what Claire wrote about him. Charlie finally slugs him, grabs the diary and storms off. Only then does Sawyer admit to Kate that he hadn't gotten around to actually reading it.

Walt and Michael continue to scavenge for materials to build the raft - metal, tubes, cushions, plastic and tarp. When Walt spots Locke and Boone heading back toward the caves, he tells Michael he's going to get some water so that he can secretly follow them. As Locke and Boone return to camp, Shannon intercepts her brother, questioning why he and Locke haven't scored any boar on their hunts. She suggests Boone's time would be better spent if he came with her to help Michael on the raft. But the dynamic between them has clearly shifted and Boone flatly refuses the invitation. Meanwhile, Locke tells Walt to respect his father's wishes and not come around anymore. Michael drops in on them, incredulous at seeing Locke with his son again. Locke explains that he told Walt he wouldn't be spending any more time with him and offers Michael a mechanical pencil as a peace offering. Michael won't accept it and tells Locke that if he catches him with his son again, he'll kill him. Walt calls his father a jerk for sending Locke away and for not being around when he was growing up - "You only showed up when mom died. You're not my father." And though we can see this stings, Michael tells Walt that he's going to have to learn to listen to him. He orders Walt to stay put and tosses his comic book into the fire.

We FLASHBACK to a hospital room, where we find Michael, in a wheelchair, post accident, working on a detailed drawing. He tells the nurse that he's making a card for his sons 2nd birthday. Susan shows up, concerned that she hasn't heard from him in two months. Michael is disappointed that she didn't bring Walt, but happy to see her nonetheless. When Susan offers to pay all of Michael's medical costs, he intuits that she has something up her sleeve. Susan reveals that she and Brian plan to move to Italy and that Brian wants to adopt Walt. She tells Michael to consider what's really best for Walt over his feelings.

Back on the island, Hurley tells Michael that Walt and the dog took off. Michael heads straight for Locke, who insists that he doesn't know where Walt is. Off Michael's concerned look, Locke volunteers to help find him. In the jungle, Walt and Vincent are startled by a noise. Vincent breaks free from his leash and Walt gives chase.

We FLASHBACK to Walt, staring at Vincent as Susan and Brian discuss their day's work. When Walt interrupts them, Susan tells him to do his homework. But Walt says that he needs help with his report on birds of Australia. Susan suddenly feels sick, drawing focus away from Walt. And as Walt continues to call out for attention, as kids often do, a bird crashes into the sliding glass door that leads into their living room. Brian looks down at Walt, a little freaked over this odd occurrence.

Back in the jungle, Walt searches for Vincent, when he's startled by another noise. We FLASHBACK to Michael's apartment this time. He opens his front door to find Brian at his doorstep with bad news - Susan is dead. Brian confesses that he doesn't want to be a father - he adopted Walt because Susan wanted it. He offers Michael plane tickets and money. And though Michael would like nothing more, he puts Walt's best interests first and says that Walt needs Brian now - he is the only father Walt really knows. But Brian claims that he can't take care of Walt and hints that there is something "different" about the boy.

On the island, Michael and Locke come across Vincent's leash and hear Walt cry for help. We FLASHBACK to Australia, where Michael has come for Walt. A nanny tells him that Walt will be home shortly and gives him a box filled with unopened cards and letters - everything Michael has sent his son over the last eight years.

In the jungle, Walt finds himself trapped inside the vines of a Banyan tree with a giant polar bear lurking outside. We FLASHBACK a final time to the same house in Australia. Walt returns from school and finds Michael in his living room. But the two are complete strangers - Walt doesn't even recognize his own father until Michael ID's himself as such. Michael tells Walt he's going to take care of him now and tries to comfort him by using the dog. But Walt informs Michael that Vincent is Brian's dog. Michael tells Walt that Brian said he could have Vincent.

Still in danger, Walt calls for his Dad. Michael and Locke come upon the Banyan tree and walk a tightrope of vines to reach Walt. Seeing that the polar bear is on attack, Locke throws Michael a knife, which Michael drops down to Walt. Walt uses the knife to fend off the polar bear, allowing Michael to make his way down to Walt. Michael wraps some vines around his son's waist and Locke pulls Walt to safety. The bear returns and paws at Michael, who finally plunges the knife into the bear's neck, injuring it and driving it away. Walt worries about Vincent, but Locke reminds him that the dog returned once and assures him that it will return again. Michael gives Locke an appreciative smile.

Later, at a campfire, Michael is finally able to share his cards and letters with Walt who is surprised to learn that his father wrote him and confused that his mother never gave them to him. Michael tells Walt that she saved them because she must have wanted him to have them someday - and that someday is now. Meanwhile, Charlie finally gives in and reads Claire's diary. He finds some entries pertaining to him and reads that he made Claire feel safe. He also finds some entries pertaining to a dream about a 'black rock.' Charlie takes this information to Sayid, who confirms the mention of a 'black rock' in the French woman's paper. They speculate that this may be where they will find Claire - but not in the middle of the night. And out in the jungle, Locke and Boone search for Vincent when they see something rustling through the leaves. Concerned that it may not be the dog, Locke pulls his knife - but it's Claire who emerges from the bushes, dazed and confused, but still alive?